I committed a few hours this afternoon to editing photos and posting them to my Flickr account. With so many other channels available for my imagery, I’ve never really seen the point of posting images to Flickr. More recently, I’ve been reexamining my resistance; my thought is changing. I’m curious what others are experiencing and I want a better understanding of where digital photography and image sharing is headed.

Prepping photos for Flickr is interesting. I’ve got JPEGs that date back to 2000 and RAW files that date back to 2004, and I’m constantly adding new media to my library. My catalog is in a constant state of flux, and I’ve been in the process of reorganizing my image library and improving my workflow practices for months now–updating naming conventions, applying metadata, separating RAWs from Photoshop composites and final edits of images, reorganizing directories for automated backup to a host of external hard drives, building Expression Media catalogs, etc.. My catalog is a precious, living organism. It’s all still somewhat complicated at the moment, but it will be extremely efficient, expandable, and sustainable in the future.

If any of this “Digital Asset Management” (DAM) stuff sounds like the sort of thing you’ve wanted or tried to wrap your head around, here are three really great resources that come to mind.

First, IMHO, Peter Krogh’s The DAM Book: Digital Asset Management for Photographers is the definitive work on the subject. I apply the concepts covered in The DAM Book organizing and retrieving all of my media, not just my photography.

Second, dpBestflow.org is an amazing resources for information on DAM. This one’s from ASMP , Richard Anderson (co-author of Digital Photography Best Practices and Workflow Handbook) and Krough.

Finally, if you’re interested in a fantastic, professional-grade crash-course on DAM and workflow, as it relates to a real-world, professional photography, you really should check out this amazing video from Chase Jarvis.

Paige Marley, 2011

As the adults sank into couches and conversation, I faded to a corner of my living room and quietly prepped a simple strobist shoot–a stand, a Canon 580EX, a pair of PocketWizards and a leftover piece of white foamcore. Jace’s older sister, Paige, became very interested when I opened and set the white umbrella and fired an initial test shot, and was a cheerful stand-in as I dialed in the settings for her little brother.

Jace Morrison, 2011

With everything set, I scooped up the 4-month-old and placed him on set, and even managed some fine-tuning as he tried to eat my hand.

Messy, slobbery, and altogether wonderful stuff! I am not a child photographer, but the truth is that I find this kind of work profoundly satisfying. There are no words that can accurately convey how I feel about watching a young family growing. But I do have a camera.

Knowing that I had my hero shot in the can, I returned Jace to his mother, dismantled the set and stowed my equipment. I knew that we’d just created some of my favorite images, ever.

For those that don’t know, generally speaking, macrophotography is photography of very small subjects. A variety of specialized equipment and techniques are often used to address technical considerations, such as blurriness caused by camera vibration during long exposures. So, adding this macro lens, a sturdy tripod, and some artificial light sources to my present physical limitations suggests some new creative opportunities.

Macro work is new to me. I really don’t have anything particular in mind that I want to explore, but that’s not to say that my approach to macro photography has been whimsical. I’ve done plenty of due diligence—reading books, magazine articles and blog posts, and poring through specialist photography forums and studying countless lens reviews. And all of this research has only fueled my appetite.

Amaryllis stamen.

The photo you see on the left is the first test shot made with this new lens—it’s the stamen of an amaryllis we’ve been enjoying during this holiday season. The image was captured on my 5D Mk 1 at ISO 400 at 1/125 at f/20. (Yes, f/20, from about a foot’s distance.) That dramatic lighting coming from camera left is a stand-mounted Canon 580EX shooting through a white umbrella, triggered by a PocketWizard Plus II transceiver.

Oh, it is so on.

(Sorry if thumbnails are looking funky. WordPress and I aren’t seeing eye to eye just yet.)

During my recovery, with the help of the interwebs, I’ve kept myself occupied/distracted with tons of personal education. I’m choosing to regard September’s injury as a creative catalyst—having so much “free time” available has encouraged me to more thoroughly investigate my online options.

Which brings me back to creativeLIVE. Wow! How amazing is this, really? Streaming live, online events to a global classroom, creativeLIVE (CL) has been the single most entertaining and inspirational resource available to me during this challenging period. I’ve made a number of lengthy posts about CL on Facebook and Google+, so I’ll try to not gush again here, but I will repeat that if you are interested in photography and related media you definitely need to check CL out. I am a total CL junkie at this point.

Pastor Matthew Prasek

The last note that I’ll make is that I was actually able to get into my studio over the weekend to shoot a couple of friends. I found that the physical activity was still more than I’m really ready for at this point, but I am pleased with the results. I’m chomping at the bit; I can’t wait to be able to take my gear on the road and start producing some photos with high production value.

2012 is going to be a very good year!

Ultimately, the all-too familiar question of whether or not I’ll go to a doctor was answered by the roaming band of paramedics who split my favorite pair of 559’s up to my pubes and strapped me in for a 10-block, $764.34 limo ride to the new E.R. at Ballard Swedish. I spent about seven hours there, making new friends and getting a guided tour, before being sent home, high as a kite, with a personalized, all-access wristband, a ridiculously futuristic “just-add-water”-style toe-to-ass cheek leg splint, a shiny new pair of crutches, half a bottle of Oxycodone, and the name of an orthopedic specialist. (Worst Lollapalooza ever.)

It’s been nearly four weeks since I bagan this forced vacation; the whole thing is still a lot more than I can wrap my head around. I am extremely fortunate. I have an amazing support group. I have all of my fingers and toes. Besides the swelling, a bit of discoloration and a series of extremely expensive X-rays, there really isn’t a lot to see. The injury (“break”) to the bone was just short of requiring surgery. And it turns out that both of the drivers were carrying insurance, which is a huge relief.

The hardest moments have been intimate and isolating. Routine activities are suddenly complicated. Too often, I’ve parodied House, lurching from chair to couch and from room to room, barking about “the pain.” My lower back, armpits, and the palms of my hands ache from using the crutches. A leg brace prevents me from driving. And everybody else’s driving is really messing with my head. Getting the day’s mail has been elevated to a personal challenge, and walking my dog is a humorous but highly discomforting exercise. At best, getting from my bedroom to the kitchen in time to answer my phone is a crapshoot.

The only thing worse than being totally dependent on my girlfriend to care for my endless needs is admitting just how erratic and emotional I can be.

Fortunately, I can also see that the tougher moments are passing. In every sense, I am getting stronger by the hour. I’m told I can expect at least/about six more weeks of physical therapy and recovery. There really is no reason to worry about me; I expect a full recovery, sooner rather than later.

We all get knocked down. The trick is getting back up.

World of Warcraft has never looked better.

For this moment, I’m quietly upgrading WP to 3.0.

A leading priority is to build a network for producing illustration and editorial photography. This work draws on a kind passion, energy and attention to detail that has typically produced my favorite work. I hope to negotiate this challenge quickly so I can get to shooting.

The local weather forecasters seem to agree that the weather around Seattle should be nice through Sunday (Mother’s Day), and I’ve hoping to get some good camera time in. Things have been remarkably cold and wet this year, and I’ve let it keep me from shooting. It’s easy to justify sitting in the darkroom for days on end when it’s cold and wet.

On another note, Paul Nissan caught up with me yesterday afternoon, which was a pleasant surprise. I hope to see him again soon. It would be fun to collaborate on some projects.

As much as I’d love to channel all my energy and attention to refining this web site, more important obligations are demanding my immediate attention. I have a few substantial graphic design assignments I need to continue to work on, including a revision to my own personal portfolio.

As usual, my photography is also a priority. I’m currently enrolled for special projects study at Shoreline Community College, which affords me full access to the school’s equipment and facilities. Until this week, I’ve spent as much time as possible in the darkroom over the last month.

At the beginning of the quarter I learned that the portable lighting kit the students purchased a few years ago has been stolen. The lighting kit was a White Lightning kit consisting of three monoblocs, three stands, some umbrellas, cables and a case… which I’m guessing cost around $1500. Although that equipment had been “secured” in the school’s lab, like those brand new lenses for the 4×5 field camera, the lighting kit disappeared without a trace some time over the last two quarters. (IMO, the fact that this equipment was purchased with student money that was granted by SCC’s student government distinguishes this loss.)

My original interest for the quarter depended on portable strobe photography, so I’ve made some adjustments to my plan. Inspired by strobist.com, I’ve been shooting with an inexpensive and portable “kit,” which currently includes a soft case, an umbrella, a light stand, a hotshoe clamp, and two Pocket Wizards. I’m impressed with my first few experiments; I look forward to adding more moody images to my stock.